This poster was created for the Bauhaus 100 exhibition organized by Graphifest, as a tribute to Áron Jancsó (1986–2015), one of Hungary’s most influential contemporary typographers. His Ogaki typeface — a calligraphic yet experimental display font — merges architectural structure with organic flow, embodying both precision and expressive freedom.
In this design, I reimagined the letter “H,” unfolding its organic qualities through the visual language of lace — a metaphor for delicacy, interconnection, and the handmade tradition. The concept connects Hungarian folk craft and cultural heritage with modern digital design, situating Jancsó’s universal and cosmopolitan work within a Hungarian cultural context.