This graphic was made for the cover of my first album of original compositions and symbolically embodies the essence of the creative process it represents. The digital self-portrait captures the self-expressive concept of the music, while the background sketches recall my formative years of academic drawing.
One of my defining experiences was when my first and most influential mentor, László Zoltán Kiss, demonstrated in a single quick sketch the essence of a portrait — showing me how observation becomes image as the three-dimensional world transforms into two dimensions on paper.

My search for color has always been a deeply sensory experience. Because of my synesthetic perception, colors are not merely visual choices but emotional resonances that guide me intuitively, much like the compositional flow in songwriting.

Thus, the album cover is not merely an accompanying visual, but an integral part of the music itself: a personal, emotionally charged self-portrait bridging past study and present experimentation.